How to Attract Attention with your Audio Features

University of Sunderland's media & radio students at Charles Parker Day 2017

University of Sunderland’s media & radio students at Charles Parker Day 2017

Meet RJ Phoenix, emerging audio producer MA Radio student at the University of Sunderland, RJ Phoenix.

Earlier this month, audio producer RJ Phoenix received a nomination for this year’s Charles Parker Prize, at the annual event which gives recognition to strong audio production work by students across the UK.

“It’s given me more confidence, that I’m on the right track as an audio producer,” said RJ.  “One day, I might be able to earn some money out of it.  But it’s the recognition, really, that your work is good, and people think it’s of value.”

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Chris Sykes, BBC Newcastle – How Will Buckley Started My Radio Career

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Chris Sykes, now Broadcast Assistant with BBC Newcastle, found his way into the radio station via work experience.  Here’s why he impressed the BBC, and why they wanted to keep him around:

(Here’s Tim John’s original post on tips for how to make the most of, and not screw up, your work experience placement.)

“Well the speculation in the papers this morning link Sunderland with the Brighton pair of Liam Bridcutt and….erm…who’s the other player?”

chris sykes

Chris Sykes, Broadcast Assistant at BBC Newcastle & SportsBeat Reporter

It’s about 6:15pm on Monday January 6th, 2014; the first day of my work experience placement with the Total Sport team at BBC Newcastle.

 

I’m sat in the broom cupboard-sized phone-in booth, alongside Vicki, the show’s producer.  There’s four computer screens crammed on to one work bench, which barely has room for two people.

As any football fan knows, January means the mid-season transfer window is open.  That makes it the perfect time to go on work experience with a sportsdesk, particularly one that covers two high profile, well-supported clubs in Newcastle and Sunderland.

In January, rumours are always swirling around about which clubs might sign whom and inevitably on a daily football phone-in, those rumours, truthful or not, will be discussed.

The show’s presenter, Simon Pryde, is talking about just that; speculation in the local papers that Sunderland are after two Brighton players.  One problem, only Liam Bridcutt’s name springs to his mind.

Straightaway, I press the red switch on the talkback mic into the studio and excitedly shout “Will Buckley” into Prydey’s headphones.

“Will Buckley, of course,” he exclaims.  And the show carries on as normal.

Now I must confess, the title of this post is slightly misleading.  That one small incident didn’t really get me my first job in radio.  Knowing Will Buckley’s name isn’t something listed on the BBC Careers Hub competencies for a broadcast assistant’s job.

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How to Create an Audio Drama Series on Little-to-No-Budget

13321115_10156963692510481_1794294579_o.jpgby Pete Lutz

So you say you’re a creative type who has always wanted to put together some kind of artistic endeavour that will enthral the masses and make you big bucks at the same time?  Well, that’s really quite wonderful, but I’m sorry, you’re reading the wrong article.  No, this is for somebody who is desperate to provide a bit of entertainment to anyone who may listen, and to create that entertainment on an absolutely near-invisible shoestring budget.

Actually, this is more of a story about how I did it, and there are some steps here that I don’t recommend for everybody, but you should still know everything.  Well, almost everything.  I won’t bore you with all the sleepless nights I spent weeping over it like it was my own child.  Oh.  Looks like I just did.  So, why not read on?

PptSeason11. COME UP WITH A WONDERFUL IDEA.

Audio dramas are stories that are told so well that the listener can see it like a movie in his mind.  It’s your job to come up with that story.  You can do what I did, which is create an anthology series called Pulp-Pourri Theatre (each episode a standalone story with a beginning, middle and end), or you can go the way of a serial and have several episodes with a longer, drawn-out story.  The choice is yours, and you should go ahead and write the outline for your series.  No, go ahead.  I’ll wait right here until you’re done.  Got any magazines?

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Jay’s Say – A Ramble, and a Reveal

Hello, Creatives!  It’s not often I post about me on here, but today I feel compelled to.  I’m honestly thankful for pretty much everything in life right now.

170D2383I’ll keep it brief.

So my name’s Jay, for those who don’t know me.  I’m the guy who runs 99% Perspiration – the podcasts (both editing and hosting), the Facebook network, the Twitter, and this very blog.  It’s a lot of work, and I love it.  But it’s a third “job”, and it seldom gets the attention it deserves.

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Pete Lutz: The “Pulp-Chaser”

Texas-based audio drama writer & producer Pete Lutz is a self-proclaimed king of “making radio drama on no budget whatsoever”.  (Tongue firmly in cheek as he adjusts his crown.)

Considering producing audio drama involves finding a troop of acting talent, recording (ideally together) with quality microphones, sourcing/creating fitting music and sound effects, and hours upon hours of writing, editing and promotion…  That’s a pretty noble claim to make.

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Nick Wommack, left & Pete Lutz, right.  Photo by George Tuley/Corpus Christi Caller-Times


Pete learned a great deal of his craft from listening to the masters: the creators of Old-Time Radio programs aired decades before he was born.  Even his stories come from that era, for the most part, or are inspired by them.

“Back before any of you lot wuz born, eh? Well, ‘ere wuz summat called radio, eh?”

[Cue dramatic fanfare music…]  Ladies and gentlemen, he’s the man with a face for radio, and more radio than you can face…  Mr. Pete Lutz!

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