Behind the Sound Design – Larnie Moles

Meet audio producer Larnie Moles – the first of a mini-series, showcasing the guests behind Solo Arts’ upcoming Audio Cinema night, Tuesday 2nd May 2018.

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How to Attract Attention with your Audio Features

University of Sunderland's media & radio students at Charles Parker Day 2017

University of Sunderland’s media & radio students at Charles Parker Day 2017

Meet RJ Phoenix, emerging audio producer MA Radio student at the University of Sunderland, RJ Phoenix.

Earlier this month, audio producer RJ Phoenix received a nomination for this year’s Charles Parker Prize, at the annual event which gives recognition to strong audio production work by students across the UK.

“It’s given me more confidence, that I’m on the right track as an audio producer,” said RJ.  “One day, I might be able to earn some money out of it.  But it’s the recognition, really, that your work is good, and people think it’s of value.”

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How to Create an Audio Drama Series on Little-to-No-Budget

13321115_10156963692510481_1794294579_o.jpgby Pete Lutz

So you say you’re a creative type who has always wanted to put together some kind of artistic endeavour that will enthral the masses and make you big bucks at the same time?  Well, that’s really quite wonderful, but I’m sorry, you’re reading the wrong article.  No, this is for somebody who is desperate to provide a bit of entertainment to anyone who may listen, and to create that entertainment on an absolutely near-invisible shoestring budget.

Actually, this is more of a story about how I did it, and there are some steps here that I don’t recommend for everybody, but you should still know everything.  Well, almost everything.  I won’t bore you with all the sleepless nights I spent weeping over it like it was my own child.  Oh.  Looks like I just did.  So, why not read on?

PptSeason11. COME UP WITH A WONDERFUL IDEA.

Audio dramas are stories that are told so well that the listener can see it like a movie in his mind.  It’s your job to come up with that story.  You can do what I did, which is create an anthology series called Pulp-Pourri Theatre (each episode a standalone story with a beginning, middle and end), or you can go the way of a serial and have several episodes with a longer, drawn-out story.  The choice is yours, and you should go ahead and write the outline for your series.  No, go ahead.  I’ll wait right here until you’re done.  Got any magazines?

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YAP Audio Production

Meet Robert Cudmore, one half of YAP Audio Production, along with Matthew McLean.  They’re the audio drama production company behind “Aftermath & Other Audio Drama Stories” which tells tales of the post-apocalyptic, horror, sci-fi and comedy; now blending their two-series post-apocalyptic drama Aftermath with a series of short, one-off pieces.

Ryan Watson, who runs the Juice Festival Blog, wanted to find out more.

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Pete Lutz: The “Pulp-Chaser”

Texas-based audio drama writer & producer Pete Lutz is a self-proclaimed king of “making radio drama on no budget whatsoever”.  (Tongue firmly in cheek as he adjusts his crown.)

Considering producing audio drama involves finding a troop of acting talent, recording (ideally together) with quality microphones, sourcing/creating fitting music and sound effects, and hours upon hours of writing, editing and promotion…  That’s a pretty noble claim to make.

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Nick Wommack, left & Pete Lutz, right.  Photo by George Tuley/Corpus Christi Caller-Times


Pete learned a great deal of his craft from listening to the masters: the creators of Old-Time Radio programs aired decades before he was born.  Even his stories come from that era, for the most part, or are inspired by them.

“Back before any of you lot wuz born, eh? Well, ‘ere wuz summat called radio, eh?”

[Cue dramatic fanfare music…]  Ladies and gentlemen, he’s the man with a face for radio, and more radio than you can face…  Mr. Pete Lutz!

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Top Ten Tips – Editing Speech Audio in Adobe Audition

turntable-1109588_1920I love my job.  Maybe I don’t find the chance to make audio documentaries & dramas as much as I’d like to (and certainly not as much as I envisioned back when I was a media production student), but being an Academic Tutor of radio & teaching how to create strong audio documentaries is something that fills me with immense joy.

I love helping my students turn their interviews into something so much more.

It’s all very well & good that I can teach people how to edit audio.  But then if you Google “how to edit with Adobe Audition”, there’s no shortage of helpful advice.  What can I bring to add value?  There’s a fine line between being able to edit audio, as in actually use the software, and being able to edit audio effectively.

So, drum roll please.  This isn’t a “101” on the basics of Adobe Audition and editing, oh no.  This “Top Ten Tips” is all about how to make the most of your speech content.

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