How to Create an Audio Drama Series on Little-to-No-Budget

13321115_10156963692510481_1794294579_o.jpgby Pete Lutz

So you say you’re a creative type who has always wanted to put together some kind of artistic endeavour that will enthral the masses and make you big bucks at the same time?  Well, that’s really quite wonderful, but I’m sorry, you’re reading the wrong article.  No, this is for somebody who is desperate to provide a bit of entertainment to anyone who may listen, and to create that entertainment on an absolutely near-invisible shoestring budget.

Actually, this is more of a story about how I did it, and there are some steps here that I don’t recommend for everybody, but you should still know everything.  Well, almost everything.  I won’t bore you with all the sleepless nights I spent weeping over it like it was my own child.  Oh.  Looks like I just did.  So, why not read on?

PptSeason11. COME UP WITH A WONDERFUL IDEA.

Audio dramas are stories that are told so well that the listener can see it like a movie in his mind.  It’s your job to come up with that story.  You can do what I did, which is create an anthology series called Pulp-Pourri Theatre (each episode a standalone story with a beginning, middle and end), or you can go the way of a serial and have several episodes with a longer, drawn-out story.  The choice is yours, and you should go ahead and write the outline for your series.  No, go ahead.  I’ll wait right here until you’re done.  Got any magazines?

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YAP Audio Production

Meet Robert Cudmore, one half of YAP Audio Production, along with Matthew McLean.  They’re the audio drama production company behind “Aftermath & Other Audio Drama Stories” which tells tales of the post-apocalyptic, horror, sci-fi and comedy; now blending their two-series post-apocalyptic drama Aftermath with a series of short, one-off pieces.

Ryan Watson, who runs the Juice Festival Blog, wanted to find out more.

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Pete Lutz: The “Pulp-Chaser”

Texas-based audio drama writer & producer Pete Lutz is a self-proclaimed king of “making radio drama on no budget whatsoever”.  (Tongue firmly in cheek as he adjusts his crown.)

Considering producing audio drama involves finding a troop of acting talent, recording (ideally together) with quality microphones, sourcing/creating fitting music and sound effects, and hours upon hours of writing, editing and promotion…  That’s a pretty noble claim to make.

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Nick Wommack, left & Pete Lutz, right.  Photo by George Tuley/Corpus Christi Caller-Times


Pete learned a great deal of his craft from listening to the masters: the creators of Old-Time Radio programs aired decades before he was born.  Even his stories come from that era, for the most part, or are inspired by them.

“Back before any of you lot wuz born, eh? Well, ‘ere wuz summat called radio, eh?”

[Cue dramatic fanfare music…]  Ladies and gentlemen, he’s the man with a face for radio, and more radio than you can face…  Mr. Pete Lutz!

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